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impressionisme --- 1880 - 1930 --- 19de eeuw --- 20ste eeuw --- Canada --- Frankrijk

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Art styles --- Painting --- patronage --- patrons [philanthropists] --- easel paintings [paintings by form] --- Impressionist [style] --- Caillebotte, Gustave --- Impressionisme --- Schilderkunst ; 19de eeuw --- Schilderkunst ; Frankrijk ; 19de eeuw --- Impressionistische schilderkunst ; Frankrijk --- impressionisme --- impressionisme. --- Caillebotte, Gustave.

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impressionisme --- Ordrupgaard (Charlottenlund) --- Nadar, Félix --- Rodin, Auguste --- Giacometti, Alberto --- Hansen, Wilhelm

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Best known as part of the influential vanguard of Impressionist artists that experimented with new painting techniques in the late 19th century, Pierre-Auguste Renoir (1841–1919) was deeply inspired by classical traditions and returned again and again to the canonical subject of the nude. Tracing the entire arc of Renoir’s career, this volume examines the different approaches the artist employed in his various depictions of the subject — from his works that respond to Gustave Courbet, Édouard Manet, Edgar Degas, and Paul Cézanne, to his late, and still controversial, depictions of bathers that inspired the next generation of artists. Eminent scholars not only look at the different ways that Renoir used the nude as a means of personal expression but also analyze Renoir’s art in terms of a modern feminist critique of the male gaze. Offering the first-ever comprehensive investigation of Renoir’s nudes, this beautifully illustrated study includes approximately 50 works, including paintings, pastels, drawings, and sculptures. The book also features an interview with the contemporary figurative painter Lisa Yuskavage that considers Renoir’s continuing influence and the historical significance of the female nude in art

Painting --- easel paintings [paintings by form] --- nudes [representations] --- Renoir, Auguste --- Nude in art --- Renoir, Auguste, --- Painting, French --- Impressionism (Art) --- Exhibitions --- impressionisme --- menselijk lichaam --- naakt --- realisme --- Cézanne, Paul --- Degas, Edgar --- menselijk lichaam. --- naakt. --- realisme. --- impressionisme. --- Renoir, Pierre-Auguste. --- Degas, Edgar. --- Cézanne, Paul. --- Renoir, Pierre-Auguste

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From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photography pursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.

Art styles --- Painting --- Photography --- photography [process] --- easel paintings [paintings by form] --- Impressionist [style] --- anno 1800-1999 --- France --- impressionisme --- Impressionism (Art) --- Art and photography --- Painting, French --- Photography and art --- Museo Thyssen-Bornemisza --- Thyssen-Bornemisza Museum --- Museo Nacional Thyssen-Bornemisza --- Sammlung Thyssen-Bornemisza --- impressionisme.